Earthy Tones and Primary Colors Happily Coexist in This 150-Year-Old London Rowhouse

Gypsum plaster walls change everything.
room with tall ceilings and exposed beams
Felix tucked a desk into the back corner of the living room; it is made from the same Douglas fir as the kitchen cabinets. Chair, J46 by FDB Møbler. Desk lamp, 127 by Anglepoise.

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When interior designer Valerie von Bechtolsheim, the founder of Studio Von B Interiors, and her husband Benny Bentham embarked on an addition for their Victorian row house in London, they didn’t think twice about which architect to hire. Valerie’s brother, Felix von Bechtolsheim, is the founder of Wylde Architects, and Valerie had collaborated with him on many projects already. “We often work on old, existing buildings and really breathe some life into them again while being respectful to the buildings,” Valerie says. Her own 150-year-old home was a similar creative challenge.

For the extension, Felix pushed out two walls on the back of the home: two meters to the side and three meters to the rear, creating 25 square meters of additional space and allowing for an open kitchen-dining-living area on the main floor. “We basically dug down a lot in order to achieve these wonderful ceiling heights that we now have,” explains Valerie. “So you have a completely unexpected volume in one of these classic Victorian terrace houses.” Tall glass sliding doors create a seamless flow between the indoor space and a new patio. 

living room that opens to the outdoors
Valerie paired a sofa from the London-based Raw Edges with a trio of Danish seats: A MG501 Cuba Paper Cord Chair by Carl Hansen & Søn, and a Bit Stool and a Stretch Stool, both by Normann Copenhagen. Seascape print, Newton Blades.
tiled single story extension on the back of a house
Felix chose to clad the facade of the extension in the same tiles that were used on the roof, a common Victorian row house material used in a contemporary way.

The von Bechtolsheim siblings’ work tends to celebrate the way things are constructed and the materials from which they are made. In this house, Felix intentionally highlighted the original footprint: The exterior brick is still visible on the interior where it meets new steel supports, and the flooring shifts from oak to concrete to delineate the newly added section. The entire extension is timber frame rather than masonry, a choice that cut costs and construction time. When they realized it was too expensive to reveal the structural framing of the new addition, the pair devised a plan to add decorative beams beneath the hidden structural ones, alluding to how the addition was built. “Architects love to express what’s going on in the building,” says Felix. “We like to show the structure where possible.”

They also love working with raw materials like exposed brick, steel, and thistle plaster, a gypsum-based material that Valerie leaves unfinished to impart a subtle glow. Felix says “you can coax out more interesting and unique spaces” that way. Using it on the walls and between the ceiling beams “allowed us to achieve a bespoke beam design with sharp, clean lines and subtle shadow gap detailing,” says Valerie.

They repeated that combination in the primary bedroom to make the new extension feel a part of the whole. The warmth in the new living and dining kitchen area was also achieved through the natural wood Valerie selected for the cabinetry.

bathroom with patchwork tiles
Valerie loved the way Bert & May’s tile color card looked, so she recreated it in real life in the powder room. The convex mirror above the sink is actually one meant to be installed in a driveway for safety.

Using natural materials can result in a quiet, organic looking interior, but Valerie also has a taste for zips of pure color; think: an Yves Klein blue chair, a cherry red task lamp, a minty-green door. These enliven the space, while also helping to tie the old parts of the house to the new; for example, the bright blue color appears in both the formal parlor of the old part of the house and the new more contemporary space. 

When it came to the garden, Valerie turned to yet another family member. Her husband Benny, who previously worked in the advertising industry, had recently pivoted to become a garden designer. Felix 3-D modeled how the land could step up from the new patio, which was lower than the original garden after digging out for the extension. The garden then gently slopes upwards to the back of the property, visually extending the outdoor space. Then Benny came in and softened everything with a lush planting scheme. The garden is a strong presence in the new living space thanks to double-height glass sliding doors in the back of the house. 

You might worry that a husband, wife, and brother-in-law working together could easily devolve into squabbling. But when pressed, none of them could recall a single point upon which they had needed compromise. In fact, they’re already working on another project together.

Great Room

living room with exposed steel beam painted red
Two oversized Marais Pendants by SoHo Home illuminate the dining area, while skylights flood the extension with natural daylight.
dining room with plaster walls and colorful pops
Valerie took a mix and match approach to dining chairs, selecting Rey chairs by HAY in both mint and scarlet, CH23 Dining Chairs by Carl Hansen & Søn, and SOFT Chair by TAKT. The resin-top dining table is a prototype by Rolf Sachs. Door paint, Arsenic by Farrow & Ball.
kitchen with stone counters, plaster walls, and wood cabinets
Custom Douglas Fir birch ply veneer cabinetry and Costa Esmeralda quartzite stone countertops create an organic foundation for the kitchen. The steel framing was left raw in the fire-rated finish.

Parlor

living room with built-in bookcases beside a fireplace
The formal Victorian parlor retains its classic architectural details, but feels fresh thanks to Valerie’s contemporary furnishing choices. Armchair, Utrecht by Cassina. Paper shade, HAY.
built-in bookcase beside a marble mantel
Valerie wove a little wink of the extension’s contemporary vibe onto the Victorian-era built-ins by adding bright blue knobs from Plank Hardware and a similarly hued Kasa table lamp by OYOY Living Design.

Primary Suite

bedroom with exposed beams and slanted ceiling
Felix describes taking out the ceilings in the primary bedroom as a process of opening up the house to let it breathe. Valerie used the same HAY paper shade in the bedroom and the parlour and thistle plaster of the extension, creating repetition between the spaces.
wicker cabinetry in the corner of a room
Custom oak and rattan cabinetry creates a closet and a hidden door to the primary bedroom.
bathroom with plaster walls and rounded tub
The primary bath features the same thistle plaster walls as the extension.

Garden

back yard with a family at a dinner table and garden
The garden is one of Benny’s first projects for his new firm Field Notes Garden Design. Patio chairs, Ferm Living. TARAN WILKHU

Laura Fenton

Contributor

Laura Fenton is the author of the weekly newsletter Living Small and The Little Book of Living Small. She lives in New York City and writes about home design, gardens, and sustainable living.


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