We Asked 6 Designers: Are You Team Open- or Closed-Concept Homes?

The answers are surprisingly unanimous.
doorway looking into blue sunroom
Photography by Jason Frank Rothenberg; Styling by Kate Berry

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Open-concept layouts, which gained considerable traction in the mid-20th century and exploded in the 1990s and early 2000s, promised better flow, more light, and seamless entertaining. Over the past few decades, reality renovation shows have gleefully chronicled taking sledgehammers to the walls of dated homes. But post-pandemic living has complicated the picture. Suddenly, a door you can shut for a Zoom call, a loud play date, or a sink full of dishes feels like a luxury. Is bigger and breezier better or has the era of the great room peaked?

To take the temperature from the pros, we asked six designers to weigh in on the great floor-plan debate: do you prefer the open-concept or closed-concept home?

dining room with navy walls
The Chinotto House team limewashed the walls and ceiling of this dining room in a deep blue because it was its own space. Photography by Amy Lamb of NativeHouse; Design by Chinotto House

We are in favor of closed-concept homes because they allow us to realize an immersive design point of view in each space, which might not be possible in an open concept. While we know there is a time and a place for open-concept (we are fans of honoring the architecture if it calls for it), a closed concept is cozy and allows for more creativity. —Chelsey Cox and Rachel Rector, Chinotto House Interior Design

living room with snug dining room area
“In our Capitol Hill brownstone project, we intentionally preserved and restored the home’s original room divisions rather than opening it up completely,” explains Feldman. “The result is a series of distinct yet harmonious spaces, each with its own personality.” Photograph by Max Burkhalter; Design by Zoë Feldman

While open-concept living has its place, I’ve always believed that a home should unfold in chapters, not one continuous sentence. Defined rooms create a sense of intimacy and intention; they allow color, pattern, and mood to shift from space to space in a way that feels layered and emotionally resonant. When everything is open, you often lose the opportunity for contrast and surprise. I’m far more interested in designing homes that feel collected over time, where a moody dining room can coexist with a light-filled sitting room, and each space supports a different rhythm of living. That said, it’s never about being dogmatic. I love a thoughtful opening between rooms—cased thresholds, steel-framed doors, or wide passages that maintain flow while preserving a sense of place. The goal is balance: connection without sacrificing character. —Zoë Feldman, Zoë Feldman Design

We generally prefer to create some sense of separation of space, even in more modern or open-floor plan homes. It’s essential to give identity to each room, to create a mood and a function. We love creating in and out breaths within the home, as you go from a cozier or moodier space into a more airy, open room. —Austin Carrier, Hommeboys Interiors

open concept kitchen and living room
“In this project, we removed the dividing wall, widened the galley kitchen, added an oversized island for gathering, and introduced a skylight to bring in more natural light,” Yokota says. “The result is a space that feels expansive yet anchored.” Photograph by Ali Harper; Design by Anita Yokota

I don’t believe in an open concept as a blanket rule. I believe in intentional openness. In smaller homes, removing walls can dramatically improve light flow, visual continuity, and perceived spaciousness, all of which support a more regulated, grounded experience. In my book Grounded Living, I discuss the biophilic design concept of prospect and refuge. It explains our innate desire to experience openness (prospect) while still feeling a sense of containment and safety (refuge). In larger homes, excessive openness can create acoustic echo, visual overstimulation, and a lack of spatial hierarchy. Without subtle boundaries such as shifts in lighting, ceiling height, materials, or defined zones, an overly open space can feel disorienting rather than restorative.

Open spaces work best when they balance flow with structure. That means defining zones with lighting, rugs, ceiling detail, or furniture placement so the eye and body understand where to gather, cook, rest, and focus. —Anita Yokota, Anita Yokota Design

long dining table and kitchen
For this Pebble Beach project by Kristen Peña Interiors, the dining room and kitchen are unified through the ceiling treatment. Photography by John Merkl; Design by Kristen Pena Interiors

The challenge with an open-concept home is that you want each space to have its own identity and an inviting sense of warmth. Many early open-concept homes were cold with white walls, and there was nothing that held spaces together as you went from room to room. However, you can tie rooms together with a unifying element that allows them to feel cohesive, yet distinct. —Kristen Peña, Kristen Peña Interiors

Zoë Sessums Avatar

Zoë Sessums

Contributing Editor

Zoë Sessums is a writer and editor whose work has appeared in Architectural Digest, Sight Unseen, Bon Appétit, Epicurious, and New York Magazine. Over nearly a decade in media, she’s covered everything from home tours and renovations to product guides and newsletters. She has a background in journalism and creative writing and is motivated in roughly equal measure by good design, good pizza, and a very solid pair of shoes. She lives in Midcoast Maine.

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