A French Tastemaker Moved to Montana and Found Her “Paris Meets Prairie” Style

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There’s a saying in France: Make your own sauce. It’s one Fiona West, the native Parisian president of French heritage brand Pierre Frey, lives by. “It means you find your own flavor and adapt to your own set of circumstances,” she says. “This is a concept that has guided my life choices, including the design of the space I live in.”

When the pandemic hit, West headed, well, West. She relocated from Miami to the mountains of Montana, a move she may have been working toward from a young age. While on a trip to Jackson Hole as a teen, West had what she describes as an epiphany moment: “I remember sitting by the Snake River looking at the mountains, crying, thinking I never wanted to leave.” 

Fast forward to a booming Montana real estate market, which meant West had to find the potential in limited inventory. She found just that in a 1980s log home, one tucked away on a rural road that winds along the Yellowstone River. While the house read “’80s, with lots of dark wood, carpeting throughout, and a red roof,” it also faced a broad open meadow to a line of cottonwoods that delineate the edge of the river and the mountains, in the distance. 

“I thought if I tackled this in a smart way, little by little, I could transform the place into something I would learn to love,” says West. 

Log cabin exterior with sunny yard
“Major landscaping changes are in the works, so this is a work in progress,” says West. “At my core, I like a house full of friends, family, kids, and al fresco meals. I tried to create different areas for breakfast under the willow tree, cocktail hour on the sofas, afternoon reading or naps in the hammocks, croquet games in the grass, and a sauna for cool evenings and apres ski relaxation in the winter.”

She addressed the main gathering space first, tearing out the wall-to-wall carpet and replacing it with oak flooring–but keeping the funky river-rock detail with embedded deer antlers around the fireplace. She then reconfigured the bathrooms and also redesigned the kitchen, removing some upper cabinets, installing white beadboard, and adding woodblock countertops. “I try to undertake one significant project a year,” says West.

The furnishings are a blend of antiques, family heirlooms, and significant objects mixed with art from West’s past lives in France and Miami. And, of course, there’s no shortage of Pierre Frey fabrics, wallpapers, and rugs throughout the space, lending much-needed injections of color and whimsy into the wood-dominated rooms. 

A self-described fan of eclecticism, West mixed fabrics and wallpapers she’s always loved, not worrying about whether things go well together but rather trusting that if she likes something, the space will come together. And it does.

“In the U.S., there’s an attraction to perfection in interiors,” says West. “And because of what I do–and my exposure to the incredible talent of the designers we work with every day–I had to come to terms with the fact that I am not my clients and had to adjust my choices of materials and the level of detail I wanted to achieve.” 

Fiona West standing in a field

She adds: “I wanted the house to feel welcoming and sophisticated, but really relaxed. So, the white chairs are no longer white and the carpet color is evolving, but I actually love the patina and what it means—a house full of life, constantly changing and evolving.” 

The home is aptly described as “France meets the mountains with a dash of Bohemia” in the upcoming book Modern West, which spotlights 15 homes in iconic western settings. And even though West is back to traveling, her life is a decidedly western one, complete with a log cabin, a dog, two barn carts, and six chickens. 

“It’s not always easy to juggle the constant movement, motherhood, and being far from my roots, but it’s also a privilege to be somewhere physically and mentally where you feel like you’re in the right place,” she says. “And for now, this place is it for me.”

Here, West shares how it all came together in her own words.

Living room with wood paneling and stone walls
The rug makes this room. It’s adapted from a design by American artist Heather Chontos. The coffee table is actually a vintage Indonesian bed. The cowboy hats are vintage. The wall mounted light fixture is by Apparatus.
Living room view to the mountains
I wanted to work with the warm tones of the wood walls yet break the log cabin feel by integrating art and pops of color. The dining chairs are vintage Saarinen Executive chairs by Knoll, upholstered in Chiang Mai Dragon by Schumacher.
Off white kitchen with beadboard cabinets and backsplash
I wanted the space to feel like it was an integral part of the living room, not only a working kitchen. I sourced the vintage marble and wood vanity in Palm Beach—it’s from the early 1900s. 
Off white kitchen with open shelving
The bison artwork on the counter is by Montana artist Audrey Hall, and the plates and bowls are by Montana ceramicist Steve Degenhart, available at Lu Dale in Livingston. The refrigerator is Smeg
Bedroom with mural
In the bedroom, I used a tapestry panoramic wallcovering on one wall. The rich greens, blues, and beiges create a feeling of calm. I added a touch of vintage with the Indian block-printed throw. The sofa was used in one of our displays and is upholstered in a Pierre Frey embroidery. 
Blue headboard and green bedding
I wanted a moody, sanctuary-like feel. I sourced the Moroccan bedside tables in Miami. The headboard is upholstered in plush mohair velvet
Antique apothecary cabinet
I love the old apothecary cabinet I found at an antique shop in Pennsylvania. Above it, I have a mix of art, family photos, and objects found on the property or crafted by my son Max. 
Bathroom with terracotta tile
In the bath, wanted a very open layout, like a wet room, and a feeling of serenity. The wall and floor tiles were handmade in Morocco by Zia Tile
Botanical drapery on a bathroom wall
Linen Tamanrasset by Pierre Frey drapery hides shelving. The travertine vanity was custom built. 
Patterned textiles in the corner of a room
The curtains were made from a hand-embroidered Pierre Frey fabric featuring colorfully garmented African women or, as my son calls them, “the ladies.” 
A child's bed with built in shelving behind it
Max’s room is very colorful and bright, like him. The rug is Arty by Pierre Frey

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